![]() ![]() LORT is also committed to the continued training of current and future LORT Managers. Our semi-annual Meetings provide opportunities for LORT members to study, discuss, and exchange information on such non-labor management issues as development, marketing, public relations, education, and technology, as well as provide a forum for developing professional relationships. ![]() LORT is also a forum for sharing information regarding all aspects of theatre. LORT members communicate collectively via LORT Counsel's office in New York. We also deal directly with personnel and management issues involving Theatre staff, artists, and craftspeople. ![]() LORT administers the primary national not-for-profit collective bargaining agreements with Actors' Equity Association (AEA), the Stage Directors and Choreographers Society (SDC), and United Scenic Artists (USA). Evan Zes, Todd Waite, Emily Trask, Jay Sullivan and Jeffrey Bean in the Alley Theatre’s production of AROUND THE WORLD IN 80 DAYS. LORT Theatres collectively issue more Equity contracts to actors than Broadway and commercial tours combined. LORT is the largest professional theatre association of its kind in the United States, with 79 member Theatres located in every major market in the U.S., including 30 states and the District of Columbia. Photo by Richard Termine.Ībout LORT Who We Are Anti-Racism Statement and Solidarity Work at a LORT Theatre Bylaws Board of Directors F.A.Q.s How to Join Contact LORT Who We Are Susannah Hoffman and Dylan McDermott in the McCarter Theatre’s American premiere of Tennessee Williams’ BABY DOLL, directed by Emily Mann and co-adapted for the stage by Pierre Laville and Emily Mann. The cast of Theatre for a New Audience’s production of PERICLES, featuring Christian Camargo, directed by Trevor Nunn. Robert Karma Robinson, Jordan Bellow, Omar Edwards, Terrell Wheeler, and Shane Taylor in Florida Studio Theatre’s production of FLY. ![]()
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